d0d14ab95c11189bbd3db53d600ff486ce13ab31
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Commits
| Author | SHA1 | Message | Date | |
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  EdnunpandClaude Opus 4.8
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de55230048 |
Multi-track + shaped/raw recording (per-peer split tracks) — held for next release
Recording Settings gains two per-profile toggles (Ed's request): * "Split recording into separate tracks" — each recording becomes a folder with one file per connected peer (their received audio only) plus one for your own send. * "Bypass pan and EQ when recording" — record the RAW audio (before pan/EQ) instead of the shaped audio you hear; applies to single and split. Engine: a per-peer record tap in SessionPlayout hands each peer's block to the recorder RAW (before pan/EQ) or SHAPED (after) per the bypass flag; PlayoutEngine propagates the tap to all sessions (+ inherits on reconnect) and fires OnRecordBlockComplete each render; AudioReceiver exposes SetPeerRecordTap / OnRecordBlockComplete. AudioRecorder now accepts an explicit path and exposes ExtensionFor. RecordingController composes one AudioRecorder per track: multi-track = a recorder per connected peer + a "me" recorder; single-track shaped = the existing mixed tap; single-track raw (bypass) = sum each peer's raw block per render, flushed on the block boundary. Naming (Ed's scheme, sortable): <recordings>/<yyyy-MM-dd>/ then, single-track, "<HH-mm-ss> RemSound recording.<ext>"; multi-track, a folder "<HH-mm-ss> RemSound recording multi track/" containing "<machine name> <HH-mm-ss>.<ext>" per peer (name or IP) and for your own send. Known edge (noted): a peer using sender-side BothIndependent (two lanes) records both lanes to one file in a split recording; single-track bypass sums per render in the Mixed path. Off by default (both toggles unticked = today's behaviour). Builds clean; pending Ed's hands-on test. Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com> |
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EdnunpandClaude Opus 4.7
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45b709d49d |
Recording-settings dialog rework + menu mnemonic clean-up
Recording settings dialog
=========================
Promote what were row attributes inside the format-attributes table
into their own dedicated listboxes. Pre-rework each format's
attribute list contained a row per (quality knob × channel mode)
combination — doubling the row count for no real benefit. WAV had
6 rows, MP3 / OGG-Opus had 8, FLAC had 4. Channel mode is now its
own listbox; per-format attribute lists shrink to 3 (WAV), 4
(MP3 / OGG-Opus), 2 (FLAC).
FLAC compression level was previously a hidden RecordingSettings
field locked at the libFLAC default of 5. Now exposed as its own
conditional listbox with all 9 levels (0..8). Visible only when the
selected file format is FLAC; the column collapses to 0% width
otherwise so the dialog reads cleanly as 4 columns for non-FLAC
formats and 5 for FLAC.
Mnemonics:
* Source Alt+S (unchanged)
* File format Alt+F (unchanged)
* Attributes Alt+A (unchanged)
* Compression Alt+L (new, FLAC-only visible)
* Channels Alt+C (new)
* OK Alt+O (unchanged)
* Cancel Alt+N (was Alt+C — moved to free C for Channels)
Record menu mnemonics
=====================
Item mnemonics inside the Record menu reorganised so the keystroke
inside the menu matches the same letter used for Ctrl+R outside it,
and Settings reads naturally:
* Start recording / Stop recording Alt+R (was Alt+S)
* Recording settings Alt+S (was Alt+T)
* Open recordings folder Alt+O (unchanged)
* Change recordings folder Alt+C (unchanged)
UpdateStartStopRecordingMenuLabel keeps the underline on a literal
R in both states ("Sta&rt recording" → "Stop &recording") so the
keystroke does the same job regardless of which label is active.
No version bump — the running version stays at 1.3.0. These changes
will be bundled with the next public release alongside whatever else
is in flight.
Co-Authored-By: Claude Opus 4.7 <noreply@anthropic.com>
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EdnunpandClaude Opus 4.7
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c59e413c1f |
Bump to v1.2.0: recording, sound cues, drift compensation, diagnostics
New user-facing features:
* Recording. Dedicated Record menu (Alt+O — moved from Alt+R to
avoid clashing with the Receive audio checkbox), Start/Stop on
Ctrl+R, settings dialog, per-profile source / format / bit-depth /
channel-mode / folder. Three source modes (received only, sent
only, both). Files are crash-resilient — a process crash
mid-recording leaves a playable file containing everything up to
the last header refresh (~5 seconds).
* Four output formats, all functional:
- WAV: 16/24-bit PCM or 32-bit float, custom writer with
periodic RIFF re-patching.
- MP3: LAME 128–320 kbps CBR (via NAudio.Lame).
- OGG-Opus: 96–256 kbps VBR (via Concentus.Oggfile, reusing the
Concentus encoder from the wire path).
- FLAC: 16/24-bit lossless (via CUETools.Codecs.FLAKE — pure
managed, no native DLL).
* Recording start/stop sound cues. record start.wav and
record stop.wav play around the recording transition. Played via
System.Media.SoundPlayer to the default Windows output, separate
from the recording pipeline so a normal recording does not contain
the cue.
* Per-cue Preferences. The old single "Mute connect/disconnect
sounds" checkbox is replaced by a CheckedListBox: Connect /
Disconnect / Recording start / Recording stop. Old profiles with
the legacy MuteConnectionCues=true are honoured on first load via
a migration path in the new Load* helpers.
* Receiver-side drift compensation switched from discrete
single-frame splices to a continuous WdlResampler at a smoothed
rate ratio. SessionPlayout.cs rewrite.
Diagnostics (only active with Enable logs ticked):
* Per-stage discontinuity probes — sender raw capture (per backend,
PushModeWasapi + Asio both wired), sender pre-encode (now per
lane in BothIndependent, fixing a cross-stream artefact), receiver
post-decode, post-ring, post-resampler.
* Wire-level packet sequence tracking on each PCM stream — in-order
/ missed / reordered / duplicated counts in the diag log.
* Clipped-sample delta in the diag log.
* New AudioStepProbe in RemSound.Core with per-channel scan helper.
UI changes:
* Record menu uses Alt+O (Rec&ord). Inside the menu, item mnemonics
unchanged (S / T / O / C).
* Auto-tune interval combo label is mode-aware: "Auto-tune latency
interval" in classic modes, "Auto-tune interval — WASAPI and ASIO"
in BothIndependent. The combo's Enabled state now follows EITHER
lane's auto-tune checkbox (was only the WASAPI one — bug).
Wire format and audio pipeline unchanged from v1.1 — v1.1 and v1.2
peers interoperate.
Co-Authored-By: Claude Opus 4.7 <noreply@anthropic.com>
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